The Renaissance Vihuela & Guitar In Sixteenth-Century Spain
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Item number 1303930AW, 187 pages, $32.95

Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind.For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing the transcription! This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. * A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576 * A companion volume to The Baroque Guitar in Spain and the New World (MB21122) *Intended to help bridge the gap between scholarly editions and performance editions * An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.
By Frank Koonce
Overall Difficulty: Intermediate
Instrument: Guitar (Classical)
Music Style: Early Music/Renaissance
Publisher: Mel Bay Publications, Inc.
Series: Frank Koonce Series

Published By: "The Renaissance Vihuela & Guitar In Sixteenth-Century Spain" was published by Mel Bay Publications.


Song Titles
Fantasia - From: "Tercer Tono" - Composed by: Alonso Mudarra - ©2008
Pavana - Composed by: Diego Pisador - ©2008
Cancion (De Nicolas Gombert) - Composed by: Luis De Narvaez - ©2008
Duo - Composed by: Miguel De Fuenllana - ©2008
Guardame Las Vacas - Composed by: Luis De Narvaez - ©2008
Guardame Las Vacas - Composed by: Luis De Narvaez - ©2008
Guardame Las Vacas - Composed by: Enriquez De Valderrabano - ©2008
Tant Que Vivray (Cancion De Claudin De Sermisy) - Composed by: Miguel De Fuenllana - ©2008
Fantasia 1 - Composed by: Luis Milan - ©2008
Fantasia 1 - Composed by: Alonso Mudarra - ©2008
Fantasia 1 - Composed by: Enriquez De Valderrabano - ©2008
Mille Regretz (Cancion Del Emperador) - Composed by: Luis De Narvaez - ©2008
Soneto - Composed by: Enriquez De Valderrabano - ©2008
Fantasia 3 - Composed by: Luis Milan - ©2008
Fantasia 10 - Composed by: Luis Milan - ©2008
Fantasia 11 - Composed by: Luis Milan - ©2008
Fantasia 16 - Composed by: Luis Milan - ©2008
Pavana 2 (Fantasia 24) - Composed by: Luis Milan - ©2008
Pavana 4 (Fantasia 26) - Composed by: Luis Milan - ©2008
Pavana 6 (Fantasia 28) - Composed by: Luis Milan - ©2008
Durandarte (Romance) - Composed by: Luis Milan - ©2008
Fantasia 14 - Composed by: Luis De Narvaez - ©2008
Baja De Contrapunto - Composed by: Luis De Narvaez - ©2008
Ya Se Sienta El Rey Ramiro (Romance) - Composed by: Luis De Narvaez - ©2008
Conde Claros - Composed by: Luis De Narvaez - ©2008
Pleni Sunt (De La Missa Faysan Regretz De Josquin) - Composed by: Alonso Mudarra - ©2008
Conde Claros - Composed by: Alonso Mudarra - ©2008
Pavana De Alexandre - Composed by: Alonso Mudarra - ©2008
Gallarda - Composed by: Alonso Mudarra - ©2008
Fantasia 10 (Que Contrahace La Harpa En La Manera De Ludovico) - Composed by: Alonso Mudarra - ©2008
Tiento - From: "Tercer Tono" - Composed by: Alonso Mudarra - ©2008
Glosa Sobre Un Kyrie De Josquin (Sobre Pange Lingua) - Composed by: Alonso Mudarra - ©2008
Triste Estaba El Rey David (Romance) - Composed by: Alonso Mudarra - ©2008
Isabel, Perdiste La Tu Faja (Villancico) - Composed by: Alonso De Mudarra - ©2008
Fantasia 19 - Composed by: Enriquez De Valderrabano - ©2008
Soneto Lombardo A Manera De Danza - Composed by: Enriquez De Valderrabano - ©2008
Agnus Dei, De Morales - Composed by: Enriquez De Valderrabano - ©2008
Decirle Al Caballero (Villancico) - Composed by: Diego Pisador - ©2008
Si La Noche Hace Oscura (Villancico) - Composed by: Diego Pisador - ©2008
?Y Con Que La Lavare? (Villancico De Juan Vasquez) - Composed by: Diego Pisador - ©2008
Fantasia 27 - Composed by: Miguel De Fuenllana - ©2008
?Con Que La Lavare? (Villancico A Cuatro De Juan Vasquez) - Composed by: Miguel De Fuenllana - ©2008
De Antequera Sale El Moro (Romance De Cristobal De Morales) - Composed by: Miguel De Fuenllana - ©2008
Fantasia 40 - Composed by: Miguel De Fuenllana - ©2008
Fantasia 46 - Composed by: Miguel De Fuenllana - ©2008
Fantasia 51 (De Redobles) - Composed by: Miguel De Fuenllana - ©2008
Fantasia 12 - Composed by: Esteban Daza - ©2008
Fantasia 21 - Composed by: Esteban Daza - ©2008
Fantasia 22 - Composed by: Esteban Daza - ©2008
Nunca Mas Veran Mis Ojos (Villancico) - Composed by: Esteban Daza - ©2008
Other Pictures
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Example Pages
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Example Page 2
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Table of Contents Page 1
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Table of Contents Page 2
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Sheet Music Format: Guitar Solo
Difficulty ranges from 3.5to 4   Difficulty 3.5-4 on a scale of 1 to 6 with 6 being the hardest.
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This page was last updated on November 23, 2009.